Events

TEXT ABOUT HOW THE PAINTING WITH THE 2019 FOUR-SANGLE WATERFALL WAS CREATED

The painting showing a square waterfall against the background of a huge pit was created in the period when I was looking for expression in the way of applying paint, started by a pencil sketch made in 2013. Well, while making this sketch with slightly negligent lines, drawing it in the direction which is assigned to me by right-handedness, I was surprised to notice that the drawing “came to life giving the impression of moving”. I knew this effect not only from previously seen pencil works or from the history of painting (e.g. impressionism), but to know something and to understand this are two different things, even different states of mind. Then I realized that expression can come not only from the topic and form of work, but also from the nature of using a given tool. I began to care about a kind of nervousness of the line so that the viewer would feel that the work was created in emotional turmoil. Since I made the lines diagonally, later, in oil, I decided to adapt this method and several pictures were created in this style, including the waterfall in question, which was the first I ever painted. To this day, I attach great importance to the method of applying the paint and, most likely, there will be more changes ahead of me. The topic itself did not come out of nowhere because there is an element that constantly appears in my head, namely a huge, flat surface, implicitly concrete, with withered and sometimes scarred stumps that were once trees. The first picture where such a thing appeared was a large pit stretching towards the horizon above which two, scared and losing feathers birds were flying. The side planes were covered with the mentioned dead trees. The painting was in turquoise tones. Some time later I thought, why not do something similar while looking at the chasm perpendicular from one of the shores? As the bottom itself seemed quite boring to me, the main topic appeared, i.e. the waterfall, but one from which the water was to be drawn from out of nowhere. Why a waterfall? I do not know. Why is this? I don’t know either. I just found it interesting. During the “visualization of the waterfall” there was a noise of falling water, which in turn reminded me of gliding, majestically pushed by the wind clouds, and thus I considered the clouds a necessary element of this work. I put the lighting at the back, quite low. However, I quickly felt the urge to break the calm sound and the scenery with a contrasting, as yet undefined scream or drama. It was then that the seed of the scene was created, in which the boat was originally supposed to be, and its inevitable end was marked by the waterfall line. I was ready to start working, but decided that the concept needed to be changed. So a man appeared on the rowless or steerless boat, and in the foreground I added another, screaming, aware of the future tragedy. The figure on the boat raised my hand in an unspecified gesture, and the screaming person seemed inappropriate to me, so I hid it behind my kind of architectural development, but still retained the situation awareness features. It all arose in my head, and then I started painting. I do not want to describe more, so as not to spoil the intellectual fun in the guesses of watching viewers. Questions remain: Does the person on the boat calmly come to terms with his fate? Is he waving his hand in despair or is he just calling out to say goodbye to the man in the foreground for the last time in his life? Who is each of the characters? Are the person on the boat and the other person the same persona, but perhaps different age? Is one of them an image of the other? Which one? Are we dealing with an image of conscience? Perhaps feeling guilty? Or is it a game between the temporal and the mystical worlds? I leave these and many other questions and answers to the audience and their individual states of mind. It only remains for me to add that this work will have a version where I will probably keep the original idea of ​​a lonely boat, whose fate is marked by the edge of the abyss, or maybe …?

FINAL OF AUCTION OF FANTASTIC ART OF THE SOPOT AUCTION HOUSE FROM 20 FEBUARY 2021

I am very pleased to inform you about the sale of two paintings in my debut during the auction in the Sopot Auction House. I did not think that they would be emotions of this scale, especially as both of them reached the gross price of PLN 22,140 for “Birds” (120 x 100 cm) and PLN 15,990 for “Chaszczy na pasach” (80 x 100 cm). However, the greatest emotions and satisfaction come from the fact that these works have found new owners, which makes me very happy and I hope that they will constantly provide aesthetic impressions. I would like to add that the next paintings will appear at the next auctions and I will be very pleased if they become close to you and you like them. Below are attached pictures from the auction. https://www.sda.pl/index.php?id=240&lang=pl&typeGlobal=2&setPage=2

TWO PAINTINGS AT THE FANTASTIC AUCTION OF THE ART OF THE SOPOCKI DOM AUKCYJNY

Good morning everyone!

For people who are eager to look at my paintings, two messages: the first – I am slowly finishing the newest painting, which I plan to publish in February, and the second – you are so pleased that two paintings will appear at the Fantastic Art Auction at the Sopocki Dom Aukcyjny. The event will take place on January 20, 2021 at 5:00 p.m. at Galeria Sopot at ul. Boh. Monte Cassino 43, and will be preceded by a pre-auction exhibition on February 6 – 20, 2021 to which I cordially invite you. Below in the attachments I show which ones will be part of the auction and I am sending a link to the event itself.

Best wishes,

Oporski.

https://www.sda.pl/…/zbigniew-oporski-bez-tytulu-2020…

https://www.sda.pl/…/zbigniew-oporski-bez-tytulu-2018…

http://www.sda.pl/

  • 2018r, 393⁄8 x 471⁄4 in, oil on the aluminium
  • 2020r, 311⁄2 x 393⁄8 in, oil on the aluminium

ONIRIUM EXHIBITION IN TORUŃ


Opening of the ONIRIUM exhibition in Toruń. We would like to thank Omega Gallery, Civitas Christiana Toruń and all guests who came to this event. We invite you to watch film materials by Mariusz Stypczyński and Damian Fajfer’s photos, and we would like to inform you that the works can be viewed until March 27. We also thank the people with whom I had the pleasure to talk to. Special thanks to the Technical Support Group for their involvement in the hanging of works ;).

https://m.youtube.com/watch?feature=youtu.be&v=sd6q0nOFPMY

https://m.youtube.com/watch?v=1m7yV01VCOE&feature=youtu.be

https://omega.civitaschristiana-torun.pl/onirium-krzysztof